Black Swan

Black Swan is a thrilling drama following the journey of a beautiful dancer, Nina, who is featured in the Mew York City Ballet. The movie is about all the trials and tribulations that Nina has to face to pave her way to the top.

In what begins as a smooth and seemingly perfect gateway to success, the major roadblock that comes her way as she finds herself trapped in a web of intense competition that she faces from a new rival at the company. The movie gives us an insight into human nature as we see an unusual relationship developing between this veteran dancer and her experienced rival.

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Black Swan isn’t so much an exercise at living through the horror that runs in front of you, as it is at watching someone crawl and then wither under her own passion…so much that survival becomes a moral turpitude and death a solace. Nina Sayers, played by Natalie Portman, introduces us to a dignity in acting that so many actors talk about (and lot many did achieve), yet rarely seen in recent times.

In what would remain as the masterstroke performance of her embellished career, Natalie Portman’s Nina makes you look deep inside yourself, and leaves you there. You wriggle, you fight, you scream, but the one that listens to you is the one that sent you there. Is there a way out? We will see.

Nina can play the White Swan better than her director wants a dancer to. We enjoy her dance like a swan enjoys its graceful landing. Slowly, it sits. Elegantly, Nina swirls. Divinely, we watch. Rhythmically, everything plays.

But, it’s isn’t the White Swan that she has to better. Thomas – Swan Lake’s director seeking a dancer, who can play both the White and Black Swan – sees the distance there is between Nina and the character Black Swan. He snaps at Nina’s apologetic behavior, and wants her to free herself, to achieve the perfect Black Swan rendition.

After a brief encounter just before the selection (that reveals her obsession towards getting the role), Nina slips into the shoes of the lead character, who is set to play both the Swans. And thus begins a fixture of obsession, passion, freedom, and self-destruction.

In an attempt to bring out the evil side of the Swan, Nina slowly descends into making herself not play but live the Black Swan. Her mother sits beside her, watching her daughter tweak and snap, makes attempt to bring her back, failing to even remotely let her see the dilapidation she is headed to, and, in the end, only so much as claps with a cry while Nina spills blood… and falls.

Maybe Darren Aronofsky (director of the film) knows what filmmaking is all about. Maybe Natalie Portman, Mila Kunis and Vincent Cassel know what acting is all about. Maybe I know what a film should look like, and what effect should one have on a viewer. Because all these things do happen with Black Swan.

You can be there, and I can be here. You can read and I can write. We can talk and we can talk. Black Swan will continue to thrill, and the uniqueness will never fade. For all the moments that together comprise Black Swan, you fidget with your own thoughts that want to know what Nina’s future holds. And when you reach the end, you are not surprised. Yes, you are heart-broken, but you are not surprised. You had known it all along. It’s just the simplicity with which it hits you makes you shiver, cry and lose yourself. You leave but not before you have uttered: there was always a way out!